According to Western art historian Michael Duty, “On the most literal level, Ken’s paintings are grounded in a specific time period, but on a deeper level, they are timeless. They reflect his own deep sense of humanity and, like all great art, they connect the viewer to the world at large. They allow or even prompt each of us to step into another world and in doing so, we are able to contemplate our own nature and environment from a new perspective. Riley’s paintings capture both a strong and dramatic narrative sense, but all have a symbolic presence as well. His unique sense of design, use of color and choice of subject all combine to convey a whole world of meaning at once.”

In discussing this painting, the artist wrote: “The Horse Culture of the Plains Indian revolutionized their mobility. In a very short time, Indians became dependent upon the animal, using them as transportation in search of food and in warfare. Horses were bartered and traded, coming to symbolize wealth and prestige. One of the highest honors was bestowed upon the warrior who managed to steal his enemy’s war pony or buffalo runner. No wonder horses were so carefully guarded, even on a winter day when this man wears a trade blanket to keep himself warm.”

PROVENANCE
The artist
Yturria Collection, Brownsville, Texas

LITERATURE
Susan Hallsten McGarry, West of Camelot: The Historical Paintings of Kenneth Riley, Eiteljorg Museum and Settlers West Galleries, 1993, p. 188, illustrated

Additional Resources

• Kenneth Riley’s Past Results
• View Condition Report

Condition ReportSurface is in excellent condition. No signs of restoration.

Important Notice: Statements of condition are provided as a service to potential bidders; such statements are educated opinions and should not be regarded as facts. The Coeur d’Alene Art Auction has no responsibility for any errors or omissions.